Recently, the Spanish dance troupe called Increpacion Danza staged a production featuring Lola Montez in London which was reported by Times Online. The show included a ‘faux’ sister for Lola called Minnie but clearly they didn’t know that she had a real sister called Catherine Hayes. This is my letter to the Times Online.

Dear Donald Hutera

I read your article with interest because Lola Montez had a real sister called Catherine Hayes. I wrote a comment but I’m not sure if it went through so this is it again:

“Lola Montez had a real twin sister! It was Catherine Hayes, the opera star. Their natural mother was Mary Hayes who was born in Devonshire. Lola was adopted by Eliza Gilbert (nee Eliza Oliver-Green) who was unable to have children. My new book ‘Virtue and Vice’ will detail the evidence.”

I wrote to Increpación Danza a couple of months ago offering to try to promote their show in Ireland but I received no response. I think they should include the character of Catherine Hayes as a singer either of opera or ballads and I’ve one who has learned a particular song for me to promote my book.

I announced at the Frankfurt Book Fair that Catherine Hayes and Lola Montez were twins but I don’t think it was picked up by the press who didn’t visit the Irish stand at all as far as I know. However, I got an interview with a film producer who expressed an interest. The new and true life story of Catherine Hayes and Lola Montez will make an excellent TV series or film far better than any that I’ve seen. I’m interested in selling the TV/Film rights and various foreign translations.

At present, I’m collating my hundreds of research documents and writing up the chapters of the book “Virtue and Vice”. This began as a genealogical exercise to check if Catherine Hayes was one of our ancestors from Limerick. It then developed into a biography of the opera singer and finally , the Lola Montez connection became obvious. This meant a lot more research had to be done into the life of Lola Montez and Bruce Seymour has been helpful to me in this respect.

I’ve also used ‘The Times’ Online archive to help with my research and found one quite interesting account of Mary Hayes having had some of Catherine’s jewellery stolen from her house. This is curious since all of Catherine’s jewellery was supposed to have been left to George Power.

Technorati Tags: Catherine Hayes, Famous biography, Lola Montez

Many writers appear to have been under the impression that one or both of these two Irish women were Catholics. Let me tell you here and now, they were Church of Ireland born and bred but at times they pretended otherwise. In parts of the world, Catholics were in the majority and it was best to appear to be of that faith.

Catherine Hayes helped Father Matthew, the temperance advocate, when she was in New York and gave a concert to raise money for the roof of a Catholic church in New Orleans. Lola Montez had to pretend to be a Spanish Catholic to become a Countess of Bavaria. Imagine an Irish protestant from a lower class background being able to achieve that status in a country which was then violently anti-protestant. She must have been a very good actress to fool everyone including the Jesuits. Neither Catherine nor Lola cared much about any faith.

In the 19c, the official religion in Ireland was the Protestant Church of Ireland and the ruling class belonged to it. There was bitter animosity between Catholics and Protestants which continues to the present day in some areas. A mature student at a local Adult Education Centre wrote some essays which have been published in a booklet. This is what she says about going to school in the 1950’s at the age of four.

“My oldest sister carried me to the school on the carrier on the back of the bicycle. I will always remember my sister ( name removed) leaving me at a neighbour’s gate. I would go through the neighbour’s yard. I never stopped to play with the children there. There were nine children in that family and they went to a different school. We were Church of Ireland and went to the Church of Ireland school.”

That’s an example of the deep divisions in Irish society which prevented even the children from mixing and perpetuated the hatred and suspicion which fueled the Northern Ireland troubles.

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The mystery surrounding the red-haired version of the Lola Montez painting in the Gallery of Beauties at Nymphenburg intensifies. Here at Famous Biography, only the truth is good enough and so we’re trying to track down the origin of the red haired Lola. It appears on Wikimedia Commons and is being offered for sale by a US based art reproduction website.

Is the red haired version truly the one which Ludwig rejected or is it just a fake? We need readers help in tracking down the truth on this. Please get in touch if you can find any references to Lola’s hair colour in a book or a picture of her with red hair (other than those mentioned above).

Technorati Tags: Famous Biographies, Famous biography, Lola Montez

Ladies in order of appearance: 1. Auguste Strobl 1827 2. Sofie Friedericke, Archduchess of Austria 1832 3. Irene, Countess of Arco-Steppberg, formerly Marchesa Pallavi 4. Crescentia, Princess of Oettingen and Wallerstein 1833 5. Marchesa Marianna Florenzi 1831 6. Rosalie Julie Freifrau von Bonar circa 1840 7. Josepha Conti 1846 8. Lady Emily Milbanke 1844 9. Lola Montez 1847 10. Lady Jane Elizabeth Digby Ellenborough, later El Mezrab 11. Antonia Ott, née Wallinger and more…

Duration : 0:8:3

Technorati Tags: Joseph, Karl, Schönheitengalerie, Stieler

Although she died almost 150 years ago, the legend of Lola Montez lives on in Munich where she became King Ludwig’s mistress and he made her the Countess de Landsfeldt. There is a cabaret act in Munich featuring Lola which is described on this German website which includes a topless photo of the dancer.

After her affair with the King ended , Lola went to London where she was married twice on the same day. Presumably, she was still pretending to be a Catholic so that Ludwig would continue her generous allowance. They married first at the French Chapel and went to St. George’s in the afternoon. Lola was already legally married and was charged with bigamy soon afterwards.

I also found that there is a new book “Sex with Kings” by Eleanor Herman which includes Lola Montez as one of the lovers. You can order that for light reading. There is also a German edition “Seks met de Koning”.

Lola Montez didn’t worry about seducing other women’s  husbands. This 1815 cartoon by Rowlandson reminded me of the incident in Australia when she was injured by an irate wife.

“Neighbourly Refreshment”

Technorati Tags: Famous_biography, Lola_Montez

The Famous Biography blog is about the lives of two internationally famous women, Catherine Hayes  and Lola Montez. They both travelled the world and earned fame and fortune. Lola Montez became a courtesan and erotic dancer as a result of circumstances and her extrovert character. and

Catherine or Kate as she was popularly known in America and Australia was a lyrics lover and had many written specially for her. One in particular is extremely important in the context of her true life and that will be discussed in the new biography ‘Virtue and Vice’.

Catherine Hayes began her singing career in 1839 when she went to Dublin to study under Antonio Sapio. After three years, she returned to Limerick and persuaded the Bishop to underwrite her new dream of becoming an opera star despite the Church’s opposition to stage careers for women. She left Dublin for Paris in October 1842 to study under Manuel Garcia.

Rosenberg tells us in some detail of the evening he spent with Catherine and Mary Hayes at the home of Bowes and his wife ‘just off the Champs Elysee going towards the Arc de Triomphe’. Garcia was also there. After dinner, Rosenberg and Garcia accompanied the ladies home. They left them ‘at their door’ and proceeded past the Madeleine and along to Boulevard des Italiens. His original description of that meeting is important as it proves that Catherine had set up a household if her own in Paris and didn’t live with the Osborne family as others claim.

We don’t know much about Catherine’s life in Paris between October 1842 and April 1844 when she left for Milan. Garcia didn’t allow his pupils to sing in public but we now know that she did so on at least two occasions. Bishop Knox must have continued to support them as usual and was probably a regular visitor to their home. We know that he favoured life on the Continent and in France in particular and that he left Ireland in 1842 never to return to his See. He had a very high income from his Bishopric and his lands and could well afford to live where he choose.

In 1844, Lola Montez arrived and stayed at 24 Rue de la Victoire quite close to where Miss Hayes lived. At that time, Lola was Liszt’s mistress and he’d sent her on ahead to await him in Paris. She said she was there to improve her dancing and actually appeared at the famous Paris Opera dancing in “Le Bal de Don Juan” . Her numbers were entitled ‘Lolita’ and ‘Los Boleros de Cadiz’. She was only allowed to give a couple of performance because there were protests from some who said she was below the standard they expected at the Opera.

Life in Paris was anything but dull for the artistic set. Lola got her share of publicity by her usual outrageous behaviour but Kate kept a low profile. Her mother’s presence will have helped her to remain discreet. In 1844, Garcia and Kate appear to annoy each other more than usual and she decides to complete her studies in Milan. She was a difficult pupil at times. Witness the incident at Bowes’ house when she insisted on singing an Irish ballad much to Garcia’s disgust. No doubt there were other occasions when she kicked over the traces apart from the concerts mentioned above.

Note: Catherine Hayes made a fortune only to lose most of it on her death bed to criminals who forged her will. Click here for an article on her Will Forgery.

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Technorati Tags: Lola Montez, Paris.Ludwig I

Duration : 0:1:31

Technorati Tags: Dance, dancetheatre, musical

• Lola: The Life of Lola Montez – Presented by Riverside Studios and Trestle in collaboration with Increpación Danza. With live music from flamenco guitarist Ricardo Garcia, the show celebrates an extraordinary woman who lived like she danced, with all the might of her …

Technorati Tags: Famous biography, Lola Montez

If I knew nothing about these women and was given a choice of any one purely based on the paintings, I wouldn’t choose Lola. She looks uninteresting compared to most of the others and not at all like her character. I think this was the King’s intention as he wanted to recreate her as a moral person with the past behind her. Only a few months earlier, she’d been told to leave Baden-Baden because of her licentious behaviour. It’s said she demonstrated her agility by putting her leg on a man’s shoulder. She probably wasn’t wearing any underwear at the time either.

Accordine to Bruce Seymour, whose work I respect most in the matter of Lola’s life story, Stieler’s original portrait of Lola didn’t please Ludwig and he ordered him to do it again. My guess is that this original was more like all the other beauties and perhaps even more revealing. It seems this first painting was lost but does it still exist underneath the present one? Artists were well known to re-use their canvas since it was expensive. There are x-ray techniques available today which could determine if another painting is still there under the paint layers.

Finally, there is a portrait of Lola by Camille Rocqueplan dated about a year earlier in Paris and now that would be more likely to be a man’s first choice.

Technorati Tags: Famous biography, Lola Montez